#Punching the clock professional

More than 30 years later, he’s refereed around 50 boxing world titles, a handful of K1 kickboxing tournaments, and a number of MMA fights. “You’re not going to become popular as a ticket writer. Refereeing seemed like a healthier way to stay involved with the sport he loved. “I boxed for a couple of years in 19, and I had five fights, and I won all five, but I was too old.” Boxing is a hard lifestyle to maintain: Schorle’s boss had questions about his frequent black eyes, and he was losing weight from training so hard. “I was a mechanic for 13 years,” he says.

#Punching the clock professional

Why, then, does he get into these jobs in the first place? Schorle didn’t start out as a boxing referee, or a prison guard, or even a professional ticket writer. “You don’t get into any of these jobs to become popular.” “If you take a point away, even if it’s a good point reduction, they’ll still boo you.” It’s the same thing as a prison guard, he says. “When you’re a boxing ref, they’re just dying to boo you,” Schorle says. “Everybody hates you.” That applies to most of the jobs he’s had. “You’re not going to become popular as a ticket writer,” Schorle says as he steers his golf cart around campus. But seeing as he moonlights as a professional boxing referee and, if that isn’t enough, worked as a prison guard at California’s infamous Folsom State Prison, he’s used to being the bad guy. People aren’t usually happy to see Schorle, 53, and verbal abuse from parkers who feel they’ve been ticketed unfairly is a regular occurrence. Well, if that traffic cop works for UT’s Parking and Transportation Services, he might be Jon Schorle, and chances are he’s someone you shouldn’t mess with. Who is this guy, and why is he infringing on your American right to park wherever you want? You’re late, you’re double-parked, and a traffic cop is writing you a ticket. He even lists off some of his past experience for working as a henchman.3 Comments Jon Schorle is an internationally renowned boxing referee, a former correctional officer in one of the nation’s toughest prisons, a family man-and the guy giving you a parking ticket. The song 'Henchman' by Kirby Krackle is about a henchman being interviewed for a villain's henchman asking about things like dental/healthcare plan and the hours.He tries to tell John that it's Nothing Personal, he's just doing his job, but John tells him that it's no excuse, and that he'll still have to answer for his sins.

John Mellencamp portrays the repo auctioneer in 'Rain On The Scarecrow' as being this way.The unnamed mastermind postpones killing a dapper spy with a laser beam because at precisely 5 o'clock, the lights go low and it's time for him to go home to his perfectly normal wife and kids. The music video for 'Genghis Khan' features Miike Snow as one of these.He demonstrates how this kind of villains usually are the most dangerous as they are fully able to compartmentalize their ethics and their actions in two neat separate boxes.

Finnish songwriter and artist Juice Leskinen has depicted this phenomenon chillingly in his song Osapäivänatsi (Part-Time Nazi), where a father takes off his uniform and jackboots after a hard-working day, kisses his wife and plays with his children.

People using this trope as an excuse for their crimes, regardless of the truth of their claims, are Just Following Orders real-world examples should go there. If they would rather Pet the Dog and don't even willingly participate in any criminal activities, they might instead be the most innocent character on an evil side, the Minion with an F in Evil if they got into evil because the superhero team fired them for misbehavior, they may be a Hero with an F in Good. Many Punch-Clock Villains may execute a Heel≯ace Turn at the very, VERY end of the film, should the Big Bad totally lose it. If they are employed in a violent capacity, they may be an Apologetic Attacker, or insist that there is Nothing Personal in what they do. Depending on the nature of the story, this trope can make a villain either more relatable to an audience or more hateful. Conversely, if played seriously, the emotional detachment that the Punch-Clock Villain displays when they knowingly contribute to various atrocities can be chilling, and audiences may see them as a monster.